pajkossy

Here you'll find stuff I'm interested in - maybe just for the moment, but probably more durably so. For those of you who don't know, the embedded YouTube videos play best if you click in the lower left of the window, then click there again to pause the video while it loads. It's best to wait ‘til the red line fills up all the way, but at least let it get about a half an inch past the play head before you click play again. Please comment - it's the only way I can tell you care :)

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Location: Ann Arbor, Michigan, United States

Thursday, November 12, 2015

Do Yale Students Know This Is in Their Student Handbook?

The only way any Yale students will actually read this post is if it somehow goes viral. If you're interested in helping make that happen, please be my guest.

After watching video of students bullying Nicholas Christakis the other day, I developed a minor obsession over why students would behave so pointedly against their own interests. I discovered without too much effort that their own student handbook requires of them that when they join the Yale community, they agree to tolerate expression that they don't like, or that upsets them. This student handbook also makes it very clear that no formal sanctions are allowed under University policy where freedom of expression issues are involved.

Here's the whole policy statement regarding free expression in the Yale community. It's really good, speaks for itself much better than I could, and is worth reading carefully from start to finish.

The primary function of a university is to discover and disseminate knowledge by means of research and teaching. To fulfill this function a free interchange of ideas is necessary not only within its walls but with the world beyond as well. It follows that the university must do everything possible to ensure within it the fullest degree of intellectual freedom. The history of intellectual growth and discovery clearly demonstrates the need for unfettered freedom, the right to think the unthinkable, discuss the unmentionable, and challenge the unchallengeable. To curtail free expression strikes twice at intellectual freedom, for whoever deprives another of the right to state unpopular views necessarily also deprives others of the right to listen to those views.


We take a chance, as the First Amendment takes a chance, when we commit ourselves to the idea that the results of free expression are to the general benefit in the long run, however unpleasant they may appear at the time. The validity of such a belief cannot be demonstrated conclusively. It is a belief of recent historical development, even within universities, one embodied in American constitutional doctrine but not widely shared outside the academic world, and denied in theory and in practice by much of the world most of the time.


Because few other institutions in our society have the same central function, few assign such high priority to freedom of expression. Few are expected to. Because no other kind of institution combines the discovery 48 and dissemination of basic knowledge with teaching, none confronts quite the same problems as a university.


For if a university is a place for knowledge, it is also a special kind of small society. Yet it is not primarily a fellowship, a club, a circle of friends, a replica of the civil society outside it. Without sacrificing its central purpose, it cannot make its primary and dominant value the fostering of friendship, solidarity, harmony, civility, or mutual respect. To be sure, these are important values; other institutions may properly assign them the highest, and not merely a subordinate priority; and a good university will seek and may in some significant measure attain these ends. But it will never let these values, important as they are, override its central purpose. We value freedom of expression precisely because it provides a forum for the new, the provocative, the disturbing, and the unorthodox. Free speech is a barrier to the tyranny of authoritarian or even majority opinion as to the rightness or wrongness of particular doctrines or thoughts.


If the priority assigned to free expression by the nature of a university is to be maintained in practice, clearly the responsibility for maintaining that priority rests with its members. By voluntarily taking up membership in a university and thereby asserting a claim to its rights and privileges, members also acknowledge the existence of certain obligations upon themselves and their fellows. Above all, every member of the university has an obligation to permit free expression in the university. No member has a right to prevent such expression. Every official of the university, moreover, has a special obligation to foster free expression and to ensure that it is not obstructed.


The strength of these obligations, and the willingness to respect and comply with them, probably depend less on the expectation of punishment for violation than they do on the presence of a widely shared belief in the primacy of free expression. Nonetheless, we believe that the positive obligation to protect and respect free expression shared by all members of the university should be enforced by appropriate formal sanctions, because obstruction of such expression threatens the central function of the university. We further believe that such sanctions should be made explicit, so that potential violators will be aware of the consequences of their intended acts.


In addition to the university’s primary obligation to protect free expression there are also ethical responsibilities assumed by each member of the university community, along with the right to enjoy free expression. Though these are much more difficult to state clearly, they are of great importance. If freedom of expression is to serve its purpose and thus the purpose of the university, it should seek to enhance understanding. Shock, hurt, and anger are not consequences to be weighed lightly. No member of the community with a decent respect for others should use, or encourage others to use, slurs and epithets intended to discredit another’s 49 race, ethnic group, religion, or sex. It may sometimes be necessary in a university for civility and mutual respect to be superseded by the need to guarantee free expression. The values superseded are nevertheless important, and every member of the university community should consider them in exercising the fundamental right to free expression.


We have considered the opposing argument that behavior which violates these social and ethical considerations should be made subject to formal sanctions, and the argument that such behavior entitles others to prevent speech they might regard as offensive. Our conviction that the central purpose of the university is to foster the free access of knowledge compels us to reject both of these arguments. They assert a right to prevent free expression. They rest upon the assumption that speech can be suppressed by anyone who deems it false or offensive. They deny what Justice Holmes termed “freedom for the thought that we hate.” They make the majority, or any willful minority, the arbiters of truth for all. If expression may be prevented, censored or punished, because of its content or because of the motives attributed to those who promote it, then it is no longer free. It will be subordinated to other values that we believe to be of lower priority in a university.


The conclusions we draw, then, are these: even when some members of the university community fail to meet their social and ethical responsibilities, the paramount obligation of the university is to protect their right to free expression. This obligation can and should be enforced by appropriate formal sanctions. If the university’s overriding commitment to free expression is to be sustained, secondary social and ethical responsibilities must be left to the informal processes of suasion, example, and argument.

Monday, November 14, 2011

Will I get in trouble for this?

Briefly, you see below first an email that I and many others here at the U of M received today.

Following it you see the salaries (data from last year) of the two signers on the email.

If we are to hope for a kind of social welfare system that is not based on increased taxation or centralized governmental control, do we need to consider different models of economic success and the leadership qualities that may or may not be attendant upon that success? I think I have a different concept of "leadership" than some, and I wonder what you who are reading this might think about it.




Sunday, January 04, 2009

Jim Reads Doug Harvey on Gary Panter

From the recent 2 volume Gary Panter monograph published by Picture Box.

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Saturday, July 26, 2008

happy birthday

Tuesday, July 08, 2008

New Dragon Ash - La Bamba cover

It's one of those youtube anti-videos where it's just a still image with the song playing.



If you dig the song and want the mp3, here's a link that could die at any moment.

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Monday, April 14, 2008

My Next Fun Fitness Project

I think pretty much anyone who knows me knows that I like to keep fit, but I don't much care for "exercise." And when I put it in quotes I mean to call to mind stuff like running, going to the gym, working out on machines and all that sort of thing.

I like to walk and especially like biking, but I like biking to get from place to place not so much for its own sake. So biking and walking has kept my lower body in pretty good condition for years.

Then a couple of years ago I decided to take up juggling as a way to start working on my upper body. It took me about 4-6 months of practice before I got it down, and now I routinely juggle 3 2-5 pound soft excercise balls - usually while just hanging out at home listening to music. Nothing fancy just straight juggling. It's made a big difference in my arm and shoulder strength.

Several years ago I heard about a freeclimber who trained by doing as many as 2000 pull ups a day. Well, I can do that many, but the elevator in my office has a nice ledge that's nicely spaced down from the ceiling, so I try to get in 3-5 fingertip pull ups in there any time I need to get from floor to floor.

I also am totally down with Wii boxing and DDR as "funxercise."

I've got my upper body and lower body all set now, but what about my midsection?

This is my new project:



I know most of you won't watch the whole 14+ minutes. So I'll tell you that they say backflips are really good for the lower abdominal muscles. Looks way more fun than situps or crunches, doesn't it?

I'll let you know how it goes, and I'm gonna need some volunteers as spotters...

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Thursday, April 03, 2008

Planet B-Boy Movie Finally Coming to Detroit

I have not and persistently do not find ballet and modern dance all that interesting. It just doesn't "speak to me" in the way that other art forms do. I think there is a bit of a high art / low art thing going on in this equation because I really love the dancing in, for example, Singin' in the Rain, or Bamboozled, or even Bring it On. I love the tango sequences in Happy Together, and Tangos, the Exile of Gardel too, but ballet and/or modern dance performed on the stage just feels so archaic (is I guess what it is) to me. Just doesn't connect.

Here, on the other hand, is something that connects with me like the nicest possible punch in the face:



It's a sequence that is cleverly nicknamed "Run DMZ": simultaneously referencing rap/hip-hop godfathers RUN-DMC and the DeMilitarized Zone that divides North from South Korea - the ostensible setting for the amazing dance that unfolds in the clip.

This sequence seems pretty indicative of the stuff your going to get when you go see the movie Planet B-Boy , which you will if you know what's good for you.

From a number of clips that I've watched, this movie seems like the latest in a gathering stream of grassroots-ey media products that celebrate people who take globalization into their own hands, as it were, and use the increasing speed with which cultural ideas and products flow across international borders to create bonds of friendship-in-creativity with people that they could never have hoped to even meet mere decades ago.

If you live near me, it opens at the Main Art in Royal Oak on April 25.

Here's the trailer:

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Friday, March 28, 2008

How can there be so many awesome Dragon Ash songs?

REVOLATOR

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Tuesday, March 11, 2008

百合の咲く場所で (Yuri no Saku Basyo De)

Another great song from Dragon Ash. Babel Fish translates the title in a way that seems to make sense: At the Place Where the Lily Blooms.

Listen through the whole thing - I especially love how this song shifts from being quiet and a bit hypnotic to being, well, I'll leave it a surprise for you to discover yourself.



Here's another performance of the same song:

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Friday, March 07, 2008

The Bird and the Bee

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Thursday, March 06, 2008

Software That Sings

So we all have software that will read our email to us in funny robot voices.

But.

This is some crazy shit.





There are many other videos of "her" singing on YouTube, some in languages other than Japanese. I like the way the two videos above show a little about how the GUI actually works on the software.

Maybe someone should put out a "Max Headroom Sings" album now.

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Sunday, February 24, 2008

Andy and I at Red Rocks

Andy and I went out to Red Rocks yesterday.

This is a great shot of us - I thought it looked very Antonioni with us facing away from the camera and away from each other and all. I dodged in our faces and replaced the sky too. Scroll down for the original.











Sunday, February 17, 2008

Chris's New Model

It's an SD Blaze Zaku Phantom.

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Wednesday, February 13, 2008

I have to do this

I feel compelled.

It's just the truth.

Plus it's a good piece of "crying media."



This is leadership. These people are leaders. There is no "lesser of two evils" thinking in this song/speech. Of course it overlooks negative things in our country's history, but "there has never been anything false about hope."

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Monday, February 04, 2008

Sometimes simple things are significant



My favorite part is where spectators start applauding 2 minutes in. Made me cry. I love it when groups of people show that they are experiencing positive feelings together in public.

Tuesday, January 22, 2008

Scientology

I had a bad experience with Scientology once back in the early 1990s.

I went into a storefront of theirs to take their personality test thing and ended up running out of the building after they had kept me there for about 3 hours (from about 4 to 7 PM) with no offer of food or water. They alternated between having me sit and hang out in a quiet waiting room and calling me into a small room in which a woman would glare at me from across a small table and tell me that I needed help.

In the end, they started to ask questions about my bank accounts at which point I told them I could not make any decisions about spending hundreds of dollars on the spur of the moment. They offered me an initial session for free if I could stay that night, but I was tired and shaking from hunger by that time so I beat a hasty path out the door.

After some time spent in the last week or so looking at videos about Scientology, I found this one on YouTube that is pretty much the scariest of what I came across.



Sometimes the guy behind the camera does seem like a slight bit of a jerk, but for the most part I was pretty impressed by the way he held up under the harrassment of the Scientology men.

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Sunday, January 13, 2008

Meta

I find this video to be really clever and funny:



I especially love the way the image that the narrator is creating turns out in the final second of the piece. I find this "motion screen capture" with voice over narration to be quite a stunning comedy bit. I mean, really, did you ever think that a narrated photoshop tutorial could be used as a comedy bit? If you've used Photoshop, you probably can imagine the planning that went into not only creating such a final image, but it's really impressive to me that the videomakers led up to that great "punchline" image with a such rich little anecdote.

Chris!

Friday, January 11, 2008

Another One

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If this doesn't kill you, then you're already dead.

God Damn this shit is stupid - and when I say stupid, I mean stupid fresh.



It's a Japanese hip hop group called Dragon Ash. I just discovered them yesterday, so I know very little about them except that they are very, very good.

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Sunday, December 09, 2007

Chris had a cool idea

He was at a friend's birthday party yesterday and he got this little plastic slinky. He wanted to make a video with it, so we did.

Here it is:

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Friday, December 07, 2007

Ukelele Ultraman

The flowers shooting from the Baltan's claws are the best.

Unless the Ukelele Lei attack is the best.

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Tuesday, December 04, 2007

Love Forever - Supercar

find yourself



always keep trying

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this needs to be here

I'm not going to tell you anything about it, so if you want to know you'll have to communicate with me through comments or do some detective work of your own.

It's a film in two parts, and there may be no other film that has influenced me so much as this one.

pt 1


pt 2

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Tuesday, November 20, 2007

Southland Tales: An Extremely Good Movie



(here's what I sent to IMDB. possible spoilers)

So, did you come here wondering what it's "really" like? Well imagine if Robert Altman and David Fincher co-directed an adaptation of a novel co-written by Philip K. Dick and Chuck Palahniuk. Yes, the fact that I put Fincher and Palahniuk in that sentence together does mean that Southland Tales has an anarchic (in the fullest sense of that word) sensibility similar to that of Fight Club, but I don't think that it's a "guy movie" in the same way that Fight Club is. The sheer originality and depth of this movie is astonishing. Even the way that it achieves its originality is original. What was that? Southland Tales relies heavily on what they call "pastiche" in postmodern theory: it takes a million things you've seen before in a million niches of popular culture and whirls them together like a "Will it Blend: Millenial Americana" YouTube video. Yes, it blends!

There are so many aspects of it that made my jaw drop ranging from the casting of teen idol Justin Timberlake in the role of the facially disfigured narrator, to the bizarre insertion of an incredible precision-choregraphed song-and-dance sequence at the movie's midpoint, to the glorious arrangement for string quartet of the Star Spangled Banner as sung by Mulholland Drive's Rebekah Del Rio.

There were scenes that made me burst into surprised, embarrassingly loud laughter. There were scenes that made me nearly jump out of my seat from the shock. There were scenes that froze me with deer-in-the-headlights terror.

And, oh those casting choices. From numerous Saturday Night Live alumni in both comic and serious roles (including a deadpan, scene-stealing Jon Lovitz) to Highlander Christopher Lambert selling heavy armaments out of an ice cream truck.

Without a trace of irony in his performance.

And that is truly one of the strengths of this film: it refuses to “wink” at the audience. It plays all of it’s irony fast and straight as a Bladeless Lasik IntraLase® laser. It doesn’t have the time to wink, and it doesn’t give you time to blink either. Writer/director Richard Kelly knows how complex and irony-laden this stuff his and he trusts the intelligence of his viewers to keep up with him and not have to be told when to laugh.

And it is a complicated movie, but if it weren't complicated it wouldn't be so good.

See it today!

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